My Top Fifty Books of this Century

There’s just something fun about lists. And books are fun as well. So of course I had to check out the New York Times list of the Top 100 Books of this century (so far), based on about 500 chosen people’s responses.

My result? 4 1/2 out of 100. (I don’t think I finished Nickeled and Dimed, for some reason. Or maybe I eventually did. It was good.)

Then they posted a Readers’ Choice list of 100, and I had read about 9 out of 100. Still not surprising–I don’t read many books from the mainstream lit section, and genre books weren’t heavily represented.

But lists are so much fun that I had to make my own list. I only listed 50, because it was getting time-consuming. I’d already listed the most obvious ones and was agonizing about which ones to include next. There are almost certainly more than 50 books that could have made the next 50.

This list is utterly idiosyncratic. Some books are on there based on the fact that I re-read them, maybe multiple times. (They must be good if I wanted to read them again, right?) Some are on there because something in them struck me and stayed in my memory. Some were just so much fun to read! They are in order of publication year, because there is no way I could rank them–apples and oranges.

Also, I deliberately did not include more than one book per author. There were some difficult decisions involved.

  • Stormfront Jim Butcher 2000
  • The Two Princesses of Bamarre Gail Carson Levine 2001
  • Artemis Fowl Eoin Colfer 2001
  • Getting Things Done: the art of stress-free productivity David Allen 2001
  • Gaia’s Garden: a guide to home-scale permaculture Toby Hemenway 2001
  • Faking It Jennifer Crusie 2002
  • The Midnight Disease: the drive to write, writer’s block,… Alice Weaver Flaherty 2004
  • Alexander Hamilton Ron Chernow 2004
  • Harry Potter and the Half-blood Prince J.K. Rowling 2005
  • Night Train to Rigel Timothy Zahn 2005
  • Animals in Translation: using the mysteries of autism to… Temple Grandin 2005
  • Live At Bryson Elementary (comics collection) Jef Mallett 2005
  • The Arrival Shaun Tan 2006
  • Mindless Eating: why we eat more than we think Brian Wansink 2006
  • The Black Swan: the impact of the highly improbable Nassim Nicholas Taleb 2007
  • Bringing Nature Home: how you can sustain wildlife with native plants Douglas W. Tallamy 2007
  • Graceling Kristin Cashore 2008
  • Traffic: why we drive the way we do Vanderbilt 2008
  • The Hunger Games Suzanne Collins 2008
  • Blackout [and All Clear] Connie Willis 2010
  • The Last Dragonslayer Jasper Fforde 2010
  • Hex Hall Rachel Hawkins 2010
  • The Life-changing Magic of Tidying Up Marie Kondo 2010
  • Midnight Riot (aka Rivers of London) Ben Aaronovitch 2011
  • After the Golden Age Carrie Vaughn 2011
  • Battle Hymn of the Tiger Daughter Diana Holquist 2011
  • Seraphina Rachel Hartman 2012
  • Three Times Lucky Sheila Turnage 2012
  • Quiet: the power of introverts in a world that can’t stop talking Susan Cain 2012
  • The Circle Dave Eggers 2013
  • Fangirl Rainbow Rowell 2013
  • Eight Million Gods Wen Spencer 2013
  • The Screaming Staircase Jonathan Stroud 2013
  • Confessions of a Sociopath: a life spent hiding in plain sight M. E. Thomas 2013
  • Lock In John Scalzi 2014
  • Gut: the inside story of our body’s most Giulia Enders 2014
  • The World Beyond Your Head: on becoming an individual in an age of distraction Matthew B. Crawford 2014
  • Stoned : jewelry, obsession, and how desire Aja Raden 2015
  • Magpie Murders Anthony Horowitz 2016
  • Eight Flavors: the untold story of American cuisine Sarah Lohman 2016
  • Breaking Cat News (comics collection) Georgia Dunn 2016
  • All Systems Red Martha Wells 2017
  • Truly Devious Maureen Johnson 2018
  • Not So Pure and Simple Lamar Giles 2019
  • Secondhand: travels in the new global garage sale Adam Minter 2019
  • A Deadly Education Naomi Novik 2020
  • Exercised: why something we never evolved to do is Daniel Lieberman 2020
  • Small Miracles Olivia Atwater 2022
  • Meg Langslow series Donna Andrews
  • Inspector Gamache series Louise Penny

Sorry about the formatting–this was in an Excel file originally.

I would be happy to see other people’s top choices for this century. (The advantage of limiting it to this century–many fewer books to think about.)

Till next post.

The Random Discovery of Poetry

How often do most people read poetry? How often do poems enter our lives, compared to all the books, news articles, blog posts, social media posts, and so forth?

I like poetry, but apart from re-reading poems I encountered in school, I can’t say I seek out much poetry. I buy and borrow lots of novels and non-fiction, I subscribe to newspapers and magazines, and I surf the web, but I rarely look for new poetry.

Fortunately, sometimes poetry seeks me out. How poetic of it! I wrote earlier about a neighbor who sometimes inscribes poems on the sidewalk in chalk, with the title and poet’s name included. I’ve also run into an occasional poem I like in the newspaper, or in a novel. And now, for reasons known only to the mysterious and ever-changing Algorithm, Facebook keeps showing me poems in my newsfeed.

Good poems, actually. Poems that sometimes make me look up the author. Catherine Barnett. Brian Bilston. Barbara Kingsolver (okay, I already knew her name, but I didn’t know she wrote poetry.) Poems that sometimes lead me to buy a book of poetry. Wow.

I remain a fan of Robert Frost, Ogden Nash, and Edna St. Vincent Millay, but I’m delighted to be reminded that good poetry continues to be written. (And by “good,” I really just mean “appealing to ME.”) I hope other people are also being accosted and charmed by the occasional randomly discovered poem.

Till next post.

Morality in Fictional Worlds–as the author wishes

Does fiction help us understand morality?

Philosophy professors like to use thought experiments to get their students to look at their assumptions in a new way, or to bring out their intuitions about conflicting principles.

“Could I be a brain in a vat?”

“Should I reroute the trolley so it hits one person rather than five?”

“Should Heintz steal the medicine for his wife from the greedy pharmacist?”

And always, “Why?”

Sometimes philosophers use situations from familiar books and movies to serve the same purpose: Sophie’s choice, McCoy’s aversion to the transporter on Star Trek, Huck Finn’s decision to go against what he believes is “right.”

Focusing on a vividly described situation makes for interesting discussion, but it’s important to remember how fiction differs from reality. In fiction, the author determines which details are relevant, what consequences ensue, and how the world works.

One such relevant detail is where the story “ends.” End the story too soon, and all the hero’s efforts seem have resulted in disaster. End it just after he succeeds, and it seems that he made the right choices after all. End it too late… well, it’s up to the author whether he really lives happily ever after as a result of his decisions. That brings us to the author’s control over what consequences ensue.

For instance, suppose you have a film in which the good guy and the bad guy end up shooting at each other. Which shots hit their mark? Which injuries are fatal or incapacitating? In westerns and the Marvel Universe, the results tend to favor the hero, because the author controls the consequences.

You can also see this as a fact about how these worlds work, something else the author controls. In these worlds, the good guys are more adept at fighting than the bad guys. It isn’t very plausible, unless maybe God is on their side. After all, surely the bad guys attack people more often. Even if the good guys have self-discipline and practice devotedly, they will have less battle experience. So why would they win so consistently?

(In the long run, the good guys have the advantage of working together and trusting each other, but that isn’t going to make their aim more accurate.)

In the world of Dr. Who, guns are not the answer. Dr Who also faces bad guys who are armed with all sorts of weapons, but he (or she) relies on finding alternate ways of dealing with them. And he succeeds. There is always another way to solve the problem.

I would like to believe that this is true of our actual world–that there is always another solution– but I don’t know how we could tell. The writers of Dr. Who can ensure that the good Doctor does find that other way. We don’t have a Doctor to call on.

In some worlds, this other solution involves the Power of Love. Star Trek Discovery, season 3, seems to exist in such a world. The bad guys are not really bad after all, just misguided, unhappy, or perhaps even right about having been mistreated. And there is something to this, as anyone who has been caught between two feuding friends can agree. In these worlds, with the right approach, the two sides can be reconciled and be friends.

I would like to think that this is also true of our world, but it seems clear that there are some people who really don’t care about others. There are even people who actively enjoy hurting others, and not because they believe the others have wronged them. The Power of Love seems inadequate here, at least without some sort of psychiatric fix that we don’t currently have.

Even when the enmity is between two basically decent people or groups of people, reconciliation is much, much harder than it appears in fiction. People tend to see all the ways in which they have been wronged, but only a small percentage of the ways in which they have wronged others. (I don’t remember the name for this bias.) So people feel that they are being asked to accept more cost and forgive more injury than the other side. Even when it’s clear that the dispute is hurting everyone, it is very hard for people to accept less than they feel they are owed. And if resentment continues to burn, the dispute is likely to flare up again at a moment’s notice. One can only hope that the next generation doesn’t inherit all the resentment of the past.

Does fiction help us understand morality? As an author, I can show a world in which it is sometimes necessary to kill, or a world in which there is always a better way. My characters may need to do bad things in order to prevent worse ones, or my characters may need to stick to their principles and refuse to do wrong, no matter what, lest they become part of the problem themselves. The bad guys may be misunderstood, or they may truly be bad.

How does this help with the real world? When I’m addressing some real world situation, I may have the Dr. Who universe in mind, while someone else is thinking about the Marvel Universe. No wonder we disagree about what to do! Which of the many fictional worlds is most like our own? Tony Stark’s New York? Dr. Who’s London? The Federation of the far, far future? Something else?

Yes.

One thing fiction does help us do is see the different ways that other people–and ourselves, at different times–perceive the world. It can help us understand why we draw such vastly different conclusions about how to react. It cannot, however, tell us what is right.

Till next post.

P.S. Though I used science fiction for my examples, the same contrasts exist in novels and films set in strictly realistic settings.